Her Hobby Is Lying Down (+ Playing Overwatch)—But Park Yu-na Moves Through the World Like She's Built From Angles

Park Yu-na's path is weird and cool: started wanting to be a model, took dance classes as prep, fell in love with dance instead, became a main dancer for an idol trainee group. Then in 2015 she debuted as a model for innisfree and Asiana Airlines. Finally, acting: Sky Castle's Cha Se-ri, Hotel Del Luna, True Beauty as Kang Su-jin. Full pivot.

She's publicly into just lying around (her words), and she'll absolutely sit down for competitive Overwatch. But when she gets dressed? There's this precision—a 1.8-meter-tall person who knows exactly how lines work. Her comeback was Pirit Fingers in 2025 and she's carrying momentum: 'Love Comes' on KBS in 2026.

Look One: Moncler White Shirt Layered With Gray Bustier at a Pop-up Event

First look from a Moncler pop-up: white oversized button-up shirt with Moncler logo woven on the sleeves. Underneath, she's deliberately put a gray bustier, and that corset structure visible under the loose shirt creates this whole geometry lesson in silhouette. The buttons are tight on the bustier but the shirt is loose, so you get defined top, soft bottom.

Black mini skirt with lace detail at the hem for texture, long hair down, monochrome palette. This is how you make a casual shirt feel sharp without actually making it sharp.

Look Two: Matte Black Off-Shoulder Top + Wide Black Slacks—Tonal Monochrome Done Right

Second outfit goes full tonal: black off-shoulder fitted top (the collar shape shows off the collarbones and shoulders, which on her six-foot frame is going to read as clean lines). Black wide slacks that drop long and straight.

Here's the thing: all-black, same color head to toe, usually looks restrictive. On her it extends your eye straight up the center. Then pointed heels at the bottom. This is how you actually dress 1.8 meters tall—one color, clean lines, let the verticality speak. Black on black on black, and somehow it reads as structure, not void.

Look Three: Charcoal Pinstripe Oversized Blazer + White Crop Bustier + Matching Mini Skirt Suit

Third look is architectural. A charcoal oversized blazer with thin vertical stripe lines (the current, effortless kind of menswear-adjacent energy). Underneath, a white cropped bustier—and here's why she's doing that: the blazer would be heavy on its own, but the bustier's crop reveals hip and defined waist, which breaks up the mass.

Then the mini skirt is the same fabric and pattern as the blazer, so top and bottom are reading as one suit broken up by that white crop at the center. It's a trick: make a heavy piece feel lighter by cutting it and adding a pop of contrast inside. This is what someone with a dancer's sense of proportion learns.

The Throughline

Every single look uses a corset-like waist structure—bustier, crop, defined belt—and every single look uses it to interrupt the geometry of oversized or heavy fabrics. She's not showing skin for skin's sake; she's revealing proportions because she understands bodies the way a dancer does. Lines, ratios, sight lines. Boring people dress bodies. Style people dress proportions.